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Ancient Greek Portrait Sculpture: Contexts, Subjects, and Styles (Sheila Dillon) Hardcover Book, (Cambridge University Press, 2006) 9780521854986
Ancient Greek Portrait Sculpture: Contexts, Subjects, and Styles (Sheila Dillon) Hardcover Book, (Cambridge University Press, 2006) 9780521854986
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Title: Ancient Greek Portrait Sculpture: Contexts, Subjects, and Styles

Author: Dillon, Sheila

Publisher: Cambridge University Press; Publication Date: 2006

Hardcover; ISBN: 9780521854986

Volumes: 1; Pages: 238

List Price in Cloth: $121.00 Our price: $105.99

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This book offers a new approach to the history of Greek portraiture by focusing on portraits without names. Comprehensively illustrated, it brings together a wide range of evidence that has never before been studied as a group. Sheila Dillon considers the few original bronze and marble portrait statues preserved from the Classical and Hellenistic periods together with the large number of Greek portraits known only through Roman 'copies'. In focusing on a series of images that have previously been ignored, Dillon investigates the range of strategies and modes utilized in these portraits to construct their subject's identity. Her methods undermine two basic tenets of Greek portraiture: first, that is was only in the late Hellenistic period, under Roman influence, that Greek portraits exhibited a wide range of styles, including descriptive realism; and second, that in most cases, one can easily tell a subject's public role--that is, whether he is a philosopher of an orator--from the visual traits used in this portrait. The sculptures studied here instead show that the proliferation of portrait styles takes place much earlier, in the late Classical period; and that the identity encoded in these portraits is much more complex and layered than has previously been realized. Despite the fact that these portraits lack the one feature most prized by scholars of ancient portraiture--a name--they are evidence of utmost importance for the history of Greek portraiture.Contents1. Facing up to anonymity2. Making portraits of the Greeks3. Displaying portraits of the Greeks4. The appearance of Greek portraits5. Greek portraits in practice.
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